"Awesome songs get intense live treatment."
Where did this come from? I consider myself a big Satriani fan, although I didn't even know this was coming out, and there's a DVD for the same concert! I guess I wasn't paying attention, but what counts is that this album caught my eye when I slid into the record store to shuffle through the bargain bin (which sometimes holds inconspicuous treasures). Naturally, I made the purchase, and was later blown away by the great performance captured on these two discs.
The power of Satch's infectious, virtuoso music is caught so effectively here, thanks in part to Eric Caudieux contributing the rhythm guitar section, which was often a neglected factor of Satch's live shows. The techno element of the Engines of Creation songs is buried under a raw, robust performance, so if you didn't like the last album for being "too techno", you'll probably love the iterations of its songs compiled here (which consumes a chunk of Disc 1.) Stu Hamm's compelling bass occupies a big space in the mix, which is cool because although Joe's arresting virtuosity is the highlight, his songs are often anchored to cool bass lines. An enjoyable solo spot also underscores Hamm's tasteful ability, where he integrates a quote from Beethoven's "Moonlight Sonata" and really gets the crowd going with some galloping grooves.
"Time" can be forgiven as a somewhat tepid opener (great song, though), for it segues into the aggressive attack of "Devil's Slide," which blisters with intensity and sounds more visceral with real drums and a speedier take on the song's big crunchy riff. From there, the song selection is great, covering almost 150 minutes of Satch songs, from concert staples "Satch Boogie," "Summer Song," and "Surfing with the Alien" to newer tunes like the beautiful "Until We Say Goodbye," the quirky, sparkling "Borg Sex," and the dynamic, sizzling "Crystal Planet" (with a cool piano intro). Joe's hairpin soloing is often embellished live, so keep an ear open for elaboration, and he has fun with the crowd too. All the songs are treated with a favorable production that effectively balances clarity with rawness, and each song is performed awesomely. I would have liked to hear "Up in the Sky," because it's probably a smokin' live song (it'd be a good opener), and I wish he'd perform "Motorcycle Driver," because it's one of my favorites, but those are wishes, not detriments. Buy this...it just might become the most listened to Satriani album in your collection.
