Wednesday, May 1, 2013

MUSIC REVIEW: Symphony X - Iconoclast



"Infernal machines arise -- flesh and steel collide!"


Sometimes bands just seem to do everything right. Symphony X is basically a band like that. Iconoclast is a brilliant prog-metal album. First of all, the band sounds tighter than ever and the production is really heavy. Really METAL. It's sonically very similar to the previous release, Paradise Lost, which was so good it was hard to imagine Iconoclast equaling its quality, much less exceeding it. Yet that's what happened.

You know when bands suddenly gets 'heavier' on an album or two, and the heavier albums are the best albums? Yeah, this is like that. Iconoclast maintains the pumped-up heaviness of the previous release, which is good if you crave the true power of metal. I do not believe its coincidental that the last two albums have been crushingly heavy and at the upper level of Symphony X quality. However, the band retains its knack for amazing vocals, melodic hooks, and songwriting that closes on your skull like a bear trap snapping shut, so the heaviness does not suppress any other important features. Not to mention there are some downright rippin' prog-metal breakdowns, face-melting solos, and a big, epic, "Rise of the Machines" kind of theme. It's almost like "Church of the Machine" being extended to a full concept! There's an absolutely brilliant 'power ballad', "When All Is Lost", which is probably their best. And that's saying a lot when you think of crazy songs that might be in that category, such as "Candlelight Fantasia," "Lady of the Snow", "Awakenings", "Paradise Lost", even "Edge of Forever" maybe... anyway.

You know, a lot of the album sounds kinda 'the same' at first, and it's long which doesn't help that initial impression (two-disc version is mandatory, if you get the one-disc set you are stupid). But that is only at first, because give it some attention and the music reveals all the brilliant layers that make awesome prog-metal so tasty (especially with this emphasis on METAL and great hooks). I've listened to this to death since it was released and it fills me with joy. This is probably Symphony X's most perfect album so everything else they release after this is just gravy. Well maybe the last song could have been a wee bit more epic and huge but it's still excellent, so oh well. And one final comments, even after all these years there are still reviews that say Symphony X has "stupid" or "bad" lyrics, but come on, what do you expect, Edgar Allan Poe? It's a metal band, writing about (in this case) evil machine empires (or something). The lyrics are actually AWESOME for what they are meant to accomplish.

Friday, April 26, 2013

MUSIC REVIEW: Pain of Salvation - Road Salt One



Utter Garbage


Only the most diehard crazy Pain of Salvation fan can defend this album. It is terrible.

The problem with this album is not that it is "different", or that there is "no metal" in it, or anything like that. (In many ways, it's not really that different.) The problem is simply that it is unbelievably boring.

Some have said that many of the best PoS songs are simple, as if to vindicate the first Road Salt. That is a true statement, sure. But an important point is lost if one fails to realize that most simple PoS songs are actually good. They are not boring. Road Salt features songs that are simple and boring. Or complex and boring. They are all boring.

Others have said, "Well, people aren't giving it a fair chance because it's called Pain of Salvation. BUT, if it had a different name, people would judge it on its own merits and like it."

Um... No. If any band released this album it would be garbage.

A boring album is the last thing you'd expect from PoS, because they are genuinely NOT a boring band. They are usually exciting, full of surprises, and good, interesting writing.

"No Way" is the most dull Pain of Salvation opener in the universe. Why anyone thought it was appropriate to open an album with this tranquillizer song I will never understand. The middle section when Gildenlow is singing in a weird time signature sounds so bad. Really though you'll be lucky to fall asleep before this overlong, overwrought grandpa rock gets to the next song because it gets worse. "She Likes to Hide" is slow sleazy song of bluesy boredom, it would be "super boring" rather than "boring" but fortunately it is over in less than 3 minutes. "Sisters" is some kind of weird ballad and it's very long and boring. "Of Dust" will put you to sleep if you are still awake by this point, although you will experience a moment of uncomfortable laughter when the spoken word part kicks in, because you will think, "LOL this is so stupid, what was D/Gildenlow thinking???" "Tell Me You Don't Know" will be skipped every time because you are so embarrassed on Gildenlow's behalf. "Sleeping under the Stars" sounds a Tom Waits song with all the Awesome(TM) removed. "Darkness of Mine" is hilariously over-the-top and laughable. "Linoleum" sounds like extremely drunk Foo Fighters. I'm not even going to finish talking about these songs. This album sucks. The last four songs are all bad. Actually, I will mention "Innocence", the finale, because at times it ALMOST seems like it COULD HAVE BEEN good.

Disclosure: Entropia is my favorite. The first four PoS albums are brilliant. BE was mostly great with some terrible moments. I loved Scarsick, and completely fail to understand why it is so disliked.

SWANS - The Seer

SWANS - The Seer
This has to be one of the greatest things ever.