Showing posts with label Buckethead. Show all posts
Showing posts with label Buckethead. Show all posts

Monday, December 5, 2011

MUSIC REVIEW: Buckethead - Monsters & Robots



"A truly great guitar player."

As a music lover I admire technical guitar albums that do nothing but show off amazing skill. Still, as a listener, I get a bit impatient with such indulgence if the songwriting isn't good. That is why listening to Buckethead's music is such a pleasure for me. He'll stun you with technique, but he'll also catch your ear with his great melodies. Beyond the thrash, funk, and rock you might except from Buckethead, things gets pretty weird too. Rap? Kung-fu music? Only Buckethead can take these things and combine them into a successful product like this. Awesome songs, awesome talent. Buckethead is da man.

Friday, November 18, 2011

MUSIC REVIEW: Buckethead - Colma




"Different Buckethead is still excellent Buckethead."


If you're a Buckethead fan, you're invariably drawn to his inventive technique, his furious yet tasteful blend of speed, heaviness, and melody, not to mention his quirky sense of humor. As such, Colma will be a surprise for many people. Here, Buckethead sheds all his pseudo-metal bombast in favor of a slow and mellow album of incredible beauty. Many fans might be turned off (or even put to sleep) by the change in sound, but if you don't mind lighter, less intense aural experiences, Colma proves to be rewarding album.

The songs are largely acoustic based, with only the occasional electric guitar (most notably on the dynamic solos that close "Machete"). The music is prominently soothing, sometimes beautiful, and sometimes establishing an ineffable emotional clarity despite the fact that no words are ever spoken. This is a testimony of how expressive Buckethead's guitar playing is. Most of the melody lines are great with a few that are merely good. It's nice that the album included a few string instruments on some of the songs...the interplay between guitar and strings is always nice. Personally, I would have liked to see a piano worked into a song or two -- I really think it would have fit some of the tracks. This is just a wish however, and the lack of a piano doesn't detract from the music.

The music is great, although diversity is a problem. Because every song follows a very formulaic structure the same tempo is used for nearly every song, the CD can feel like a sludge of almost interchangeable tracks. The songs ARE excellent, though, and if you give it enough attention you will see that the music does explore many subtle variations of the main musical idea. Also undermining some of the album's excellent music is the lifeless nature of the looping drums. Usually it doesn't bother me, but there are times when I find myself unwittingly giving them too much attention and I am a little irked.

Nearly an hour of like sounding slow songs might be a hard sell, but the music IS great and Colma's merits shine past its flaws. In the future, I hope Buckethead makes another album like this but with more visceral drumming and a little more attention to song variety.

Buckethead - Giant Robot




"Great, quirky guitar album."

All too often these instrumental guitar albums are simply vehicles for the musicians to flaunt their amazing technique, and nothing more. Melody is forgotten and we are treated to plodding instrumental virtuosity without rhyme or reason. These albums have their merit, but they sometimes fail to stand the test of time because they lack qualities that keep us coming back for more.

Buckethead is different. He's got reams of technique, sure, but he also writes great songs with infectious, fun melodies. Buckethead is a great musician, evidenced by challenging instrumental passages, and he also provides tons of variety in his playing, from the keen rockin' melodies in "Binge and Grab" to the fusion-injected "Robot Transmission" to the pretty, delicate and elegant ballad "I Love My Parents" (complete with string ensemble). Buckethead has a quirky sense of humor (in a good way) that is revealed to the listener through several weird skits interspersed among the album's nineteen tracks. It creates a wonderful, surreal musical journey that you aren't likely to grow tired of.

This is 73 minutes of great guitar music. Fans of Joe Satriani and Steve Vai will eat this up.